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巴赫《義大利協奏曲》之探討與分析

Discussion and Analysis of J.S. Bach s  Italian Concerto BWV971

作者:吳美儒
畢業學校:東吳大學
出版單位:東吳大學
核准日期:2012-10-17
類型:Electronic Thesis or Dissertation
權限:Copyright information available at source archive--scu....

中文摘要

「協奏曲」是巴羅克時期很重要的樂器作品類型之一,巴赫(Johann Sebastian Bach,1685-1750)為了突破新的作曲手法,嘗試將樂團的編制改成獨奏器樂來演奏。首先筆者會先從巴赫的生平背景找尋有關義大利與協奏曲相關資料,且找尋影響巴赫的一些重要作曲家的作品,進而分析整個協奏曲的樂曲架構,求證是否與協奏曲的編制、形式及樂曲總奏(ripieno)與競奏(concertino)中的主奏(solo)與全體奏(Tutti)之間的巧妙關係,最後筆者將用鋼琴這個鍵盤樂器把大鍵琴的音色與音質演奏出來。

英文摘要

Concerto is one important work from of instrumental music during the Baroque period. Bach (Johann Sebastian Bach, 1685-1750) in order to create a new type of compositional technique, tried to arrange the performance of the concerto from orchestra ensemble to solo instrument. Firstly this writer will start with the background of Bach's life to provide some information about Italy and the Concerto, then the writer will continue with some background on Bach's life to gather more information on Italy and the Concerto form. A search on those important composers whose works influenced Bach.will also be discussed. Further materials for analysis will be on the structure of the whole concerto form in relationship to the established form of the concerto with their ripieno, concertino, solo and tutti effects.


口試委員 - 李宜芳

指導教授 - 王青雲


 

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