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探討史克里亞賓《第二號鋼琴奏鳴曲,作品十九》:從創作手法到演奏技巧的運用與詮釋/張葦蓁鋼琴獨奏會

A Research on A. Scriabin's Piano Sonata No.2, opus 19 from its methods of creation to its application on performance technique and interpretation

作者:張葦蓁
畢業學校:東吳大學
出版單位:東吳大學
核准日期:2012-10-17
類型:Electronic Thesis or Dissertation
權限:Copyright information available at source archive--scu....

中文摘要

史克里亞賓早期的鋼琴作品創作,其風格被認為是浪漫主義風格的創作思維,雖然在當時其浪漫主義的思潮逐漸進入尾聲,但隨著史克里亞賓日後亦趨成熟和發展,慢慢形成他特有的自我風格。他的音樂語言及和聲技法在當時的音樂家當中是特殊的,尤其是他的十首鋼琴奏鳴曲,貫穿了一生的創作理念與實踐。本人透過研究早期的作品《第二號鋼琴奏鳴曲》,逐漸了解到史克里亞賓在早期鋼琴作品寫作手法的表現方式和音樂風格,以期許對樂曲詮釋有實質的幫助。
本文的研究目的主要從三方面著手:(一)先從作曲家早中期創作的風格開始研究;(二)再針對第二號鋼琴奏鳴曲研究其樂曲架構和和聲進行,以期了解整體樂曲的音樂走向,且希望能在詮釋上有所幫助。(三)最後找出一些特殊或較難的樂段,分析出一些較有效的練習方式或詮釋上的建議,並提出一些可供參考的指法或踏板練習建議,希望對詮釋上提供一些幫助。

英文摘要

The style of Alexander Scriabin s piano works in his early stage is considered to be the romanticism, though the romantic ideological trend at that time had almost come to the end. However, he eventually formed his own unique style as his artistic techniques and creative experiences had been gradually developed. It s undeniable that his unique style showed his particular way in the music language and harmony skills and techniques differ from other musicians at that time, especially his ten pianos sonata, has run through the creative ideas and practice of all one's life.
Therefore, through his early work "piano sonata No.2", I have learned his music idiosyncrasy from his composing way and style during his early period. Furthermore, studying his work would be helpful to the acquisition of knowledge of the interpretation.
The purposes of this research are mainly based on: (1) Studies of Scriabin s style in early period; (2) Scriabin s work structure and harmony in piano sonata No. 2; (3) Analyzing some of Scriabin s works that difficult to access and finding out the effective suggestions and performing methods


口試委員 - 張玉樹

指導教授 - 王青雲

指導教授 - 張玉樹


 

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