本論文已被瀏覽 554 次， [ ] 12 次，[ ] [ ]
當我們提及戈貝爾（Philippe Gaubert, 1879-1941）時，旋即想到他作曲家的身分。但是戈貝爾是以指揮家的身分達到音樂事業的高峰。而更早在這之前，戈貝爾曾以長笛演奏家，初踏上音樂之路；除此之外，他對長笛演奏、長笛教學以及作曲，尤其是創作長笛作品的貢獻亦不可小覷。
本文主題探討的是戈貝爾為長笛與鋼琴寫的《第三號奏鳴曲》〈Troisieme Sonate for Flute and Piano〉，內容共有五章；第一章緒論，闡明筆者的研究動機、目的、範圍與方法，以及對於參考文獻之探討；第二章為作曲家生平，筆者以描述作曲家在音樂生涯中，三個不同面向的成就；第三章與第四章筆者分別以理論與演奏兩個角度，分析此樂曲與演奏詮釋。
When talking about Philippe Gaubert (1879-1941), people tend to see him as a composer. However, he reached the climax of his musical career as a conductor. Even prior to that, Gaubert kicked start his musical career as a flutist. Besides that, his contributions to flute performing, flute teaching and composing, especially his creations of flute pieces are certainly not negligible.
This thesis aims to probe into Gaubert s Troisieme Sonate for Flute and Piano , which he created for both flute and piano. The thesis includes five chapters. The first chapter is the introduction, which tells about the motives, goals, ambitions and methods, as well as the documentation. The second chapter is the composer s biography. Descriptions of the composer s success in three aspects are described. The third and fourth chapters are the theory and practice of this piece. These two chapters include the analysis of the piece and the interpretation of it.