博碩士論文查詢聯邦系統首頁 聯絡信箱 關於我們 加入我們

本論文已被瀏覽 30 次, [ 造訪詳細資料與全文 ] 12 次,[ 回到前頁查詢結果 ] [ 重新搜尋 ]

透視末日前的潘朵拉-災難藝術創作

A Perspective Before The End of Pandora For Disaster Art Creation

作者:夏嘉宏
畢業學校:國立屏東教育大學
出版單位:國立屏東教育大學
核准日期:2012-08-23
類型:Electronic Thesis or Dissertation
權限:Copyright information available at source archive--npue....

中文摘要

生命,是一道長長的拋物線。有起就有落,有開始就有結束,地球,何嘗不是如此?它孕育了一切生命,但也帶來了無數的災難。有陽光的地方,背後就有陰影。事情,總是一體兩面的;就如同地球、災難與人類的依存、互動關係,在施與受之間,很難絕對性的一刀兩分對與錯,劃清任何責任歸屬的界線。「災難」和「藝術」到底有無交集?研究者發現「災難藝術」創作現今仍未被較有系統的整理與呈現,故盼能透過研究與創作,重現災難新面貌,並萃取災難價值。
災難,是潘朵拉的盒子,只會帶來苦痛!但在研究過程中,研究者發現「災難」對「藝術創作」所隱藏的養分,在廣義的相關研究文獻探討中,抽離出災難懾人的氛圍、扭曲的線條、詭譎的色彩、堅定的人性,並將之分為自然、人為、客體、未知等部分,透過平面繪畫的創作方式,融入研究者分析的災難美學,並加入個人對災難的感受力,不只是將災難現象照本宣科的呈現,而是期待能以另一種神祕、獨特的風貌,在「天」、「人」、「物」、「謎」四個系列,表現災難藝術創作之美。
研究者在研究過程與藝術創作之後,深深體悟到「災難救贖」與「心靈力量」才是災難藝術的美學價值。期盼在融入個人感受力與災難美學的災難藝術系列創作,能讓觀者耳目一新,打開心靈之眼,透視災難背後對人群、生物、環境應有的關懷與愛。也盼此研究能對地球的所有生物帶來微薄的貢獻,如此,災難所帶來的苦難也才能愈顯珍貴與價值。
關鍵詞:潘朵拉、災難藝術、災難美學

英文摘要

Life is a long trajectory. There are ups and downs in life, and there is a beginning and an end to everything. The same is also true of our Earth; it conceives all life but also unleashes disasters. Where there is sun, shadow follows. Just like there are two sides to a coin, the interdependence, interactions and the give-and-take relationships between Earth, disasters and humans are complicated, difficult to be described with simple definitions, to distinguish what is right and wrong or to decide who should be accountable for what happened. The researcher wonders if there is any common ground between art and disaster. He realized that there had not been a systematic research or organized related data and discourse on disaster. By conducting this research and creating the collection, he wishes to offer a new representation of disaster and extract enlightening values from it.
Disaster is Pandora s Box, only capable for inflicting pains; or so it seems. During the course of the research and in literature review, the researcher found that disaster actually possesses hidden elements that can enrich art and creativity. The key elements extracted from disaster are: terrifying atmosphere, twisted lines, eerie colors and unswerving humanity. These elements are further divided into four categories: belonging to nature, man-made, objective and unknown. Through painting, the researcher integrates his findings from the analysis of disaster aesthetics and his own understanding about the theme to deliver a mysterious and unique representation of disaster in his collection, in four sub-series titled firmament , humans , objects and mystery .
In the process of this research and in creating the collection, the researcher found that he true aesthetic values of disaster art lie in salvation of disaster and the power of soul . He hopes that, by integrating his own appreciation for disaster aesthetics and his disaster art collection, he can shed new lights on the topic and inspire the minds and souls of audiences, and help them see the love and compassion we need to show for the environment, creatures and people suffering from disasters. And through this research, he wishes to make some contributions for the creatures on this planet and to highlight the values and wisdom manifested in suffering caused by disasters.
Keywords: Pandora, disaster art, disaster aesthetics


主席 - 王耀俊

委員 - 劉立敏

指導教授 - 林大維


 

計畫贊助者: